Hey Ursidae

May 06

Mezzotint

Mezzotint

Apr 30

Three color soft ground etching.

Three color soft ground etching.

Apr 22

peternevins:

The next big #woodcut print. (at Flight 64 Print Studio)

peternevins:

The next big #woodcut print. (at Flight 64 Print Studio)

Apr 12

Keeping it tidy in the studio.

Keeping it tidy in the studio.

Lithograph, layer 2

Lithograph, layer 2

Free Education

I will save everyone thousands of dollars in tuition by giving you the big lesson here for free:

WORKING HARD is more important then NATURAL TALENT.  

There’s other lessons to be learned, sure, but this is the most important.

You’re welcome.

-Jacob

terresauvage:

David Lloyd Blackwood
Fire Down on the Labrador, 1980
~
“Blackwood has always set the human element in his art within that same looming scale, the ocean and headland and restless night… In “Loss of Flora S. Nickerson” and in “Fire Down on the Labrador”, the human disasters are happening in the wings, barely registering against the vastness of the North Atlantic and its creatures. I’ve always been struck by how often light is a peripheral presence in Blackwood’s best-known work, whether in the torches of sealers adrift in the cavernous winter night, the helpless ship ablaze in “Fire Down on the Labrador”, or the tangential gleam of sunrise or sunset just offstage in his many seascapes… The sheer scope and eerie beauty of the landscape he depicts inspire both wonder and dread in equal measure. The cumulative effect of his work is to make the history of settlement of this island – and all human endeavour beside it – seem impossibly fragile and fugitive. And heartbreakingly tenacious and honourable”. - Michael Crummey

terresauvage:

David Lloyd Blackwood

Fire Down on the Labrador, 1980

~

“Blackwood has always set the human element in his art within that same looming scale, the ocean and headland and restless night… In “Loss of Flora S. Nickerson” and in “Fire Down on the Labrador”, the human disasters are happening in the wings, barely registering against the vastness of the North Atlantic and its creatures. I’ve always been struck by how often light is a peripheral presence in Blackwood’s best-known work, whether in the torches of sealers adrift in the cavernous winter night, the helpless ship ablaze in “Fire Down on the Labrador”, or the tangential gleam of sunrise or sunset just offstage in his many seascapes… The sheer scope and eerie beauty of the landscape he depicts inspire both wonder and dread in equal measure. The cumulative effect of his work is to make the history of settlement of this island – and all human endeavour beside it – seem impossibly fragile and fugitive. And heartbreakingly tenacious and honourable”. - Michael Crummey

(via terresauvage)

Apr 11

Layer one of a lithograph

Layer one of a lithograph

Apr 10

samwmso:

Finished carving this guy, on to the next one! #printmaking #woodblock #woodcarving #reliefprint #irishelk #megaloceros #deer #naturalhistory #fauna

Everyone take note:  This is what woodcuts are supposed to look like.

samwmso:

Finished carving this guy, on to the next one! #printmaking #woodblock #woodcarving #reliefprint #irishelk #megaloceros #deer #naturalhistory #fauna

Everyone take note:  This is what woodcuts are supposed to look like.

Apr 07

[video]